BROTHERS IN AMPS: The Clean’s Kilgours of Kiwi (In Memory of Hamish Kilgour, 1957-2022)
Apologies if the original post of this piece contained text and/or formatting glitches that made it difficult/impossible to read, er, cleanly. Here is the (hopefully) corrected version. Aside from a title tweak, I’ve decided to forego replacing or replicating the video bells and whistles of the original post and present the text straight-up as a companion to the faulty original. I invite you to give it another go with my thanks. Again, sorry the HAL 3000 has decided to get drunk and insubordinate. Now, where the hell is the plug and outlet to that bleary red eye of his?
PHAIR WEATHER FRIEND: Hanging Out In Guyville 25+ Years Later
It’s been a life-altering twenty five-plus years since we were all twenty five (or thereabouts), an age when most of us don’t have much of a clue about how life-altering the next twenty five years are going to be.
A HIT OF SYMPHONIC BLOTTER ACID: Forever Changes But Love’s Masterpiece Endures
The “Summer of Love” it may have been, but much of the music on those iconic records of 1967 contained a far more complicated series of emotions and refracted a darker reality shot through with chaos and doubt, turmoil and altered perceptions. Unlike some of its contemporaries, the music on Love’s ‘Forever Changes’ – not to mention the mystique that continues to surround the work — seems only to have deepened with time.
BOWIE ON RECORD: VINYL FROM THE VAULTS
Much in the same way Miles, Elvis, Aretha, Dylan, Jagger, Jimi, Lennon, Bruce, and Madonna telepathically triggers an instant association, so does that particular arrangement of vowel-heavy letters in “Bowie” conjure an identity, a personae, an attitude, a style (or many of them) — even a perspective and way of looking at the world.
FROM STARMAN TO STARDUST: The Singular Sound, Voice & Vision Of David Bowie (1947-2016)
Originally posted on RPM: Jonathan Perry's Life in Analog:
What better fit for a Flashback Friday Halloween than to examine a pivotal point in the singular career of David Bowie, a man of many masks, guises, and gazes: the doomed astronaut of Space Oddity, messianic rock god alien of Ziggy Stardust, paisley dandy, diamond…
HEART TO HARTE (RETURN OF THE REAL KIDS PART III): Legendary Producer Rick Harte On Coming Up Aces
Rick Harte has seen, heard, and made a lot of rock & roll. As the founder, producer, chief cook and bottle washer at Ace of Hearts Records, Boston’s independent entry into the punk and post-punk rock uprising of the late 1970’s and early ‘80’s, Harte brought the music of bands like Mission of Burma, Lyres, Classic Ruins, […]
RETURN OF THE REAL KIDS PART II: John Felice On Rock & Roll Resurrections (Don’t Call It Punk!), Shaking Outta Control, And Living Past Thirty
Real Kids frontman John Felice didn’t think he’d live to see thirty. Now professing astonishment at having nearly doubled his predicted life expectancy, Felice and the latest, formidable incarnation of his equally improbably long-running outfit have just released a new album, “Shake … Outta Control.” It’s a snarling, strutting, soulful little record that for all […]
RETURN OF THE REAL KIDS PART I: Solid Gold (Thru and Thru)
“Well, I was driving ’round Boston / Looking for a place just to shake my ass/ Don’t wanna hear no disco / Gotta hear something outta my past” — The Real Kids, “Do The Boob” One way or another, Boston singer-songwriter John Felice has been cranking out gritty, from the guts, heart-on-sleeve rock & roll longer than some […]
SCRUFFY THE CAT SCRATCH FEVER: New Album, Anthology Due from Beloved ’80s Boston Combo
If there’s one karmic upside to late Scruffy The Cat frontman Charlie Chesterman’s battle with the cancer that claimed him in November of last year at the too-young age of 53, it’s that the music and catalog of his best-known, roots-rocking Boston outfit received new attention and a long-overdue reappraisal (via the benefit reunion show Scruffy performed to raise funds […]