Category Personal History
To truly consider the Rolling Stones, it’s simply not adequate to ponder a clutch of hit singles or a few best-selling albums, or even an epochal moment or movement in music history. No, to properly contemplate the Stones is to throw a wide net across the stretching seas of the decades encompassing music, fashion, and culture that’s informed their existence (and vice versa). And bring your magnifying glass and microscope.
Diamonds from the Mines: In the service of being a little less “Blue & Lonesome” (even though we’re quite enjoying the state of mind the new LP brings, so thanks boys), we’ve rolled away the stones and cracked open our hermetically sealed, climate-controlled “RPM” vaults to peruse a handful of sparkling jewels and (thankfully) non-scuffed […]
Originally posted on RPM: Jonathan Perry's Life in Analog:
The cover of Ryan Adams’ second solo album, “Gold,” released Sept. 25, 2001. By tragic coincidence, the album’s lead single, “New York, New York,” dropped Sept. 11, 2001. The jarring image of an American Flag turned upside down on the album cover, and the single…
RPM TBT: Throwing it back to “RPM’s” ’85 college daze when yours truly’s first music-related by-lines debuted for the first time in my college newspaper, the Daily Collegian (New England’s largest, or so the slogan went). Even back then, it had been a four-year run-up to pseudo-Bangs-ian bliss. I had already been writing professionally, since I was […]
I am a scientist – I seek to understand me all of my impurities and evils yet unknown I am a journalist – I write to you to show you I am an incurable and nothing else behaves like me I am a pharmacist prescriptions I will fill you potions, pills and medicines to ease […]
In the spirit of Throwback Thursday (although, truth be told, we’re throwin’ it back pretty much every day of the week here), I invite you to check out a sample of some of my rarer records and vintage music memorabilia being posted and catalogued on an ongoing basis at my brand-spankin’ new “RPM: Life In Analog” Google+ […]
Much in the same way Miles, Elvis, Aretha, Dylan, Jagger, Jimi, Lennon, Bruce, and Madonna telepathically triggers an instant association, so does that particular arrangement of vowel-heavy letters in “Bowie” conjure an identity, a personae, an attitude, a style (or many of them) — even a perspective and way of looking at the world.
The post (way) down below, from the highly entertaining blog, “Dangerous Minds,” got me reminiscing fondly about my own record store daze. During a six-month gap between bidding farewell to my prior life as a news reporter and dipping my purple suede Pumas into the unchartered, untested waters of music journalism — which had been a […]
The focal point, of course, was the perpetually shirtless, baboon-limbed lead singer Iggy Pop, born James Osterberg. When Pop bounded on stage for the opener “Loose,” one of a slew of songs on gaudy display from “Fun House” and the Stooges’ self-titled 1969 debut, the singer’s convulsive vitality — the spasmodic leaps, carnival of shrieks, caged-animal prowl (not to mention that freakish sinew-and-gristle physique) — was ridiculously unchanged.