Category ’90’s Rock/Music
My collection of music tapes have now taken on properties purer and more powerful than the mere music they contained: They’ve banded together to become an immortal, indispensable, untouchable part of my personal cosmos of memory and experience. It’s music that drove a landmark road trip, played through it, came from it, and helped to define it.
Check out the brand spankin’ NEW Pre-Fab Messiahs video here (a fittingly surreal cartoon for these cartoonishly surreal times): https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DzAnUJ7MjnZ4&h=ATOPhol0JrD6O-uJnI9KreX528r34HTCMovCwE_-GcVYAUFPBRn7xXgvaKerRizt-v0mdtO9IpcmrpBMcoBDK6YhunvmPxF9lwpMcZwlRLIK8RxY17aevvExkg49PSzn3lW37R5oMoGulrB_G5sYB1w https://theprefabmessiahs.bandcamp.com/ Source: Absolutely Pre-Fabulous! The Messiahs Trip Back To The Future in Bobb’s Psychedelic Car
Not nearly enough people got the chance (or took the time) to listen to the music Kevin Junior made during his short lifetime, which ended one year ago today at age 46. But there’s a good chance that most of those who did have never forgotten what they heard. And hear still. Today we’re remembering […]
Originally posted on RPM: Jonathan Perry's Life in Analog:
The cover of Ryan Adams’ second solo album, “Gold,” released Sept. 25, 2001. By tragic coincidence, the album’s lead single, “New York, New York,” dropped Sept. 11, 2001. The jarring image of an American Flag turned upside down on the album cover, and the single…
RPM TBT: Throwing it back to “RPM’s” ’85 college daze when yours truly’s first music-related by-lines debuted for the first time in my college newspaper, the Daily Collegian (New England’s largest, or so the slogan went). Even back then, it had been a four-year run-up to pseudo-Bangs-ian bliss. I had already been writing professionally, since I was […]
The Glands were the perfect, enigmatic epitome of ‘indie-rock’ (whatever and however you conjure the term), and a woolly little ball of fuzzy contradictions. They were over-achieving, under-heard slackers from the coolly independent musical hotbed of Athens, Georgia, yet somehow, always seemed to stand apart from it. They were beloved and aloof. They made and released a […]
RPM: Jonathan Perry’s Life In Analog was viewed about 8,500 times by casual visitors, avid readers, and loyal subscribers (whaddya waiting for pardner — it’s a free ride!) from 89 countries in 2015. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it. Chances are, if you’re reading this, you had a stage-side seat.
STONED PILOT AT THE TEMPLE: On The Passing Of Scott Weiland (1967-2015) & The Purple Core Of Grunge’s Foxiest Frontman
“What I was, and always will be, a fan of was rock ‘n’ roll spirit. And Scott Weiland effortlessly brought that spirit with him whenever he strutted onto a stage with his feather boas and orange spiked hair and glitter-glam eyeliner. In doing so, he enabled those of us watching and listening to lose ourselves in those huge, buzzing guitar riffs swarming around his voice; to become something other than what we were in the daily grind and mundane circumstances of our lives. On stage and on record, Weiland enacted a decadent, different kind of reality of unfettered hedonism, risk, and living on the edge, that implicitly invited us to become vicarious participants for one or two hours.”
The news that Merge is gearing up for a “69 Love Songs” vinyl reissue campaign — with the first run of 1,000 copies being pressed on colored vinyl (for geeks like us who care about such things) — feels a little like re-discovering and savoring a half-forgotten love letter that you cherished and then, eventually, tucked away in a drawer with your memories. (Or, in our case, massive filing cabinets stuffed with CDs).