Category Ron Wood
MANNISH BOYS AT THE MOCAMBO: What, No April Wine?
The 300 lucky radio station contest winners who crowded into a dozen buses bound for Toronto’s El Mocambo Tavern one early March evening in 1977 began booing when they thought they wouldn’t be seeing the club’s headliners, April Wine, after all. Also on the bill that night was some opening act called The Cockroaches. They […]
Jack Flash Stash
Diamonds from the Mines: In the service of being a little less “Blue & Lonesome” (even though we’re quite enjoying the state of mind the new LP brings, so thanks boys), we’ve rolled away the stones and cracked open our hermetically sealed, climate-controlled “RPM” vaults to peruse a handful of sparkling jewels and (thankfully) non-scuffed […]
TRUE BLUES: The Stones Get Back To The Bedrock
Ultimately, despite (or perhaps because of) being bashed-about and knocked-out off-the-cuff, “Blue & Lonesome” firmly and expansively situates itself in time and place. Like most good albums, it captures and distills a mood and a feeling, a frame of mind, a state of being, and it’s a welcome, if relatively brief (at 42 minutes), escape.
The Faces From Mod To Rod To Nod: As Good As A Wink To A Blind-Drunk Horse
It’s hard to believe that four decades — 42 years ago this weekend to be exact — have passed since the boozy British blooze-rock band The Faces released what many (including me) consider to be the finest album of their relatively brief (1969-1975) career. “A Nod Is As Good As A Wink … To A Blind […]
RPM: Jonathan Perry's Life in Analog 