Category Rock and Roll
Talk about setting a high bar. How do you match an album (1968’s “Beggars Banquet”) that has “Sympathy For The Devil” as its opener? Simple. Make “Gimme Shelter” the opening salvo on your follow-up record. Some of us didn’t need a big box set (out now) marking the golden anniversary of “Let It Bleed” to […]
“I don’t believe in God, but I believe in music and sharing that with other people. That’s kind of my religion. If I have a religion, that’s what it is.”
— Asa Brebner
As a small tribute to today’s birthday boy, guitarist extraordinaire Mick Taylor, (who turns an improbable Seven-O), here’s my take on one of the most famously obsessed-over, and mythologized slabs of live rock & roll of the past 50 years that Mr. Taylor was intrinsic to bringing to life — and which, until fairly recently, wasn’t even officially released (and even then, as a mostly digital-only treat). Hence this review, written by my alter-ego “Leedslungs71,” of another enterprising foray into the nether realm of unofficial, fan recordings that have kept this blistering concert and indelible moment alive and humming across generations of listeners for more than forty years. (This piece first appeared at the terrific Collectors Music Reviews blog and website, which is populated by those of us who care about such things).
It speaks volumes — maybe decibels is a better word — about the consistent musical vitality of this city that I simply could not keep up with all of the adventurous, surprising, inspiring, and thrilling music that reached my ears over the years. But man, I tried.
The 300 lucky radio station contest winners who crowded into a dozen buses bound for Toronto’s El Mocambo Tavern one early March evening in 1977 began booing when they thought they wouldn’t be seeing the club’s headliners, April Wine, after all. Also on the bill that night was some opening act called The Cockroaches. They […]
Along with his brothers (biological, spiritual, musical or otherwise) , Allman certainly left his mark on the vast and variegated landscape of American rock & roll and the deep reservoirs of blues, soul, gospel, and country from which his group’s music drew.
News that a biography and at least three vinyl compilations of the work of Big Star co-founder Chris Bell are coming out this year — including “The Complete Chris Bell,” a massive six-LP (!) retrospective due July 7 by Omnivore Recordings (the same folks who’ve issued some tasty Big Star releases in recent years, including […]
BROKEN BISCUITS & A STROKE OF LUCK: How Corin Ashley Picked Up The Pieces To Assemble The Most Challenging Music Of His Life, and Made Himself Whole Again
“Then, on January 6, 2016, an awful thing most 40-somethings like Ashley don’t ever think about happening – because it would be too awful to ponder – happened. Corin suffered a stroke that paralyzed the playing fingers of his left hand and all but wiped out his vocal cords in one felling swoop. Suddenly, just like that, from a hospital bed far away from the stages he had stood on since he was a teenager in cover bands, Ashley didn’t know if he’d ever speak again, much less sing or play. “
My collection of music tapes have now taken on properties purer and more powerful than the mere music they contained: They’ve banded together to become an immortal, indispensable, untouchable part of my personal cosmos of memory and experience. It’s music that drove a landmark road trip, played through it, came from it, and helped to define it.