Category Bob Dylan
To hear these inspirations and ideas unfurl like a slow flag or burst like fireworks, explode into the stratosphere, and twist crazily this way and that, you get the sense that this must be what it would have been like to watch Van Gogh mix his colors and apply those bright yellows and brilliant blues to the swaying sunflowers and starry nights he dreamt into being.
In the spirit of Throwback Thursday (although, truth be told, we’re throwin’ it back pretty much every day of the week here), I invite you to check out a sample of some of my rarer records and vintage music memorabilia being posted and catalogued on an ongoing basis at my brand-spankin’ new “RPM: Life In Analog” Google+ […]
FROM GRAVEDIGGER TO TROUBADOUR: Life Above Ground With Ike Reilly’s Schemers, Dreamers & Junkie Faithful
Reilly’s songs teem with lowlifes, hustlers, and have-nots, dazed by despair, embittered by regret, and hardened by circumstance. Ever the sly, sardonic observer, Ike takes it all in from his perch in the shadows. His personae, like his music, shifts, bobs and weaves: sage, fool, jester, street-corner prophet, Reilly’s all of these things – sometimes within the same song.
RPM: Jonathan Perry’s Life In Analog and The Year That Was! Reviewing The Top Spins And More For 2014
A HUGE THANK YOU TO EVERYONE who found, read, commented, followed, subscribed to RPM: Jonathan Perry’s Life In Analog; and/or sought out previously un-discovered artists, bands, films, records, and music (or, even better, more of my writing here and elsewhere) during this past year. As fond as I tend to be of the royal “we,” daily maintenance of […]
The Band – Asbury Park 1976 Live at Casino Arena, Asbury Park, New Jersey, USA, July 20th 1976 DVD (Approx. 80 Min.): Introduction, Don’t Do It, The Shape I’m In, It Makes No Difference, The Weight, King Harvest (Has Surely Come), Twilight, Ophelia, Tears Of Rage, Forbidden Fruit, This Wheel’s On Fire, The Night They […]
“Bob Dylan has long been a prime, occasionally infuriating example of a creator not necessarily equipped (or willing) to critique the scope or substance of his art. Although far more cagey, contrarian, and intentionally opaque, Dylan has proven similarly flip when talking about his music (or not talking about it, as the case may be) over the years.” — From “Thin Wild Mercury Music”