Category Interviews

THE COST OF A SONG: HONKY TONK HEARTBREAKER JAMES HAND DIES AT 67

Texas troubadour James Hand, a reverent Country & Western traditionalist whose music sounded beamed in from an earlier age of rodeos and radios — and who, later in life, enjoyed success and won a devoted following of fans, musicians, and critics — died early yesterday morning at a hospital in Waco, Texas, surrounded by his […]

THE DAZIES: From Blue Skies To Grey (And Back Again)

One of the things I miss most about Boston is the music and the people who make it. Over the span of nearly two decades spent as a music critic and columnist writing about the plethora of sounds emanating from the city, I never stopped being excited about discovering bands and musicians I hadn’t heard […]

EYES EVERYWHERE: Remembering Deep Heaven Now’s Jinsen Liu, Boston’s “Dark Lord of the Shoegazer Scene”

I’m saddened to learn of the death of Jinsen Liu, one of Boston’s most adventurous musicians, listeners, and advocates for a burgeoning, always shape-shifting psychedelic-space-rock scene in and around the city during the first decade of the new millenium. In addition to releasing a clutch of albums with his own lushly textured dream-pop band, 28 […]

FROM SCUD MOUNTAINS TO CHAPPAQUIDICK SKYLINES: The Geography Of Joe Pernice + Hick Rock With The Lonesome Bros

“I hate my life,” Joe Pernice confides with a strange, almost carnal tenderness. “Don’t be alarmed if someday soon you hear I’ve gone away.” Before the song’s over, he’ll change the “if” to “when”, and as the tune dissolves into the distance, Pernice sounds more certain than ever.

A LATE BLOOMER IN FULL FLOWER: Becoming Asa Brebner (1953-2019)

“I don’t believe in God, but I believe in music and sharing that with other people. That’s kind of my religion. If I have a religion, that’s what it is.”
— Asa Brebner

BROKEN BISCUITS & A STROKE OF LUCK: How Corin Ashley Picked Up The Pieces To Assemble The Most Challenging Music Of His Life, and Made Himself Whole Again

“Then, on January 6, 2016, an awful thing most 40-somethings like Ashley don’t ever think about happening – because it would be too awful to ponder – happened. Corin suffered a stroke that paralyzed the playing fingers of his left hand and all but wiped out his vocal cords in one felling swoop. Suddenly, just like that, from a hospital bed far away from the stages he had stood on since he was a teenager in cover bands, Ashley didn’t know if he’d ever speak again, much less sing or play. “

Absolutely Pre-Fabulous! The Messiahs Trip Back To The Future in Bobb’s Psychedelic Car

Check out the brand spankin’ NEW Pre-Fab Messiahs video here (a fittingly surreal cartoon for these cartoonishly surreal times): https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DzAnUJ7MjnZ4&h=ATOPhol0JrD6O-uJnI9KreX528r34HTCMovCwE_-GcVYAUFPBRn7xXgvaKerRizt-v0mdtO9IpcmrpBMcoBDK6YhunvmPxF9lwpMcZwlRLIK8RxY17aevvExkg49PSzn3lW37R5oMoGulrB_G5sYB1w https://theprefabmessiahs.bandcamp.com/   Source: Absolutely Pre-Fabulous! The Messiahs Trip Back To The Future in Bobb’s Psychedelic Car

REGARDING THE END: Life, Death, and The Wondrous World of Robert Fisher’s Willard Grant Conspiracy

Robert Fisher’s Willard Grant Conspiracy conjure a mostly deserted world of long, lingering shadows where guys like Nick Cave and Mark Eitzel brood in a half-light that’s either salvation or damnation — a distinction that depends on whether you think being alone is solitude or isolation. A world where the songs thread through a musty room and gather there like settling smoke. Eventually, if you’re lucky, a cracked window swings open from the wind, bringing a new beam of sound and a fresh light with it to remind you that you’re alive.

BOBBY KEYS & IAN McLAGAN: Sounds Of Stones Sidemen (and Rock ‘n’ Roll) Silenced

MAC & KEYS: Two years ago this week we lost two titans who helped shape the sound, course, and texture of roughly a half-century of rock music, not to mention that of their frequent collaborators and employers, the Rolling Stones, who benefitted greatly from their skillful, soulful mastery on the horns and keys. I’d like to […]

THE OTHER “NEW YORK, NEW YORK”: Ryan Adams’ accidental anthem for a stricken city

Originally posted on RPM: Jonathan Perry's Life in Analog:
The cover of Ryan Adams’ second solo album, “Gold,” released Sept. 25, 2001. By tragic coincidence, the album’s lead single, “New York, New York,” dropped Sept. 11, 2001. The jarring image of an American Flag turned upside down on the album cover,  and the single…

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