Category Southern Rock
Along with his brothers (biological, spiritual, musical or otherwise) , Allman certainly left his mark on the vast and variegated landscape of American rock & roll and the deep reservoirs of blues, soul, gospel, and country from which his group’s music drew.
Originally posted on RPM: Jonathan Perry's Life in Analog:
The cover of Ryan Adams’ second solo album, “Gold,” released Sept. 25, 2001. By tragic coincidence, the album’s lead single, “New York, New York,” dropped Sept. 11, 2001. The jarring image of an American Flag turned upside down on the album cover, and the single…
The Glands were the perfect, enigmatic epitome of ‘indie-rock’ (whatever and however you conjure the term), and a woolly little ball of fuzzy contradictions. They were over-achieving, under-heard slackers from the coolly independent musical hotbed of Athens, Georgia, yet somehow, always seemed to stand apart from it. They were beloved and aloof. They made and released a […]
“All these years and lineup changes later, the song of DBT’s improbable start remains the same. But like all good yarns, it’s a story that bears retelling, because it’s about fate and fortune and famine, and a terrific rock & roll band whose defining moment almost didn’t happen.”
SOUTHERN EXPOSURE: The Drive-By Truckers Roll From Darkness To Daylight And Hit The Road Behind A New Live Album
The band’s 2001 landmark, ‘Southern Rock Opera,’ caught on with a broad audience that included hipsters and college kids, aging classic rockers, and ordinary folks who loved the sound of loud electric guitars set to lyrics that meant something. Both album and band also fared far better in the North and West than the group’s home turf: “The South is our weakest region – I think it’s because it’s too close to home,” said bandleader Patterson Hood. “We’re singing about stuff that’s right down the street. And nobody wants to hear that.”