Tag Archives: Ian McLagan
MANNISH BOYS AT THE MOCAMBO: What, No April Wine?
The 300 lucky radio station contest winners who crowded into a dozen buses bound for Toronto’s El Mocambo Tavern one early March evening in 1977 began booing when they thought they wouldn’t be seeing the club’s headliners, April Wine, after all. Also on the bill that night was some opening act called The Cockroaches. They […]
BOBBY KEYS & IAN McLAGAN: Sounds Of Stones Sidemen (and Rock ‘n’ Roll) Silenced
MAC & KEYS: Two years ago this week we lost two titans who helped shape the sound, course, and texture of roughly a half-century of rock music, not to mention that of their frequent collaborators and employers, the Rolling Stones, who benefitted greatly from their skillful, soulful mastery on the horns and keys. I’d like to […]
BOBBY KEYS & IAN McLAGAN: Sounds Of Stones Sidemen (and Rock ‘n’ Roll) Silenced
Official portraits and lineup cards of the band notwithstanding, both in the studio and on stage the Rolling Stones have always wisely employed, and relied upon, a small nucleus of collaborators, co-conspirators, and simpatico sidemen to help them flesh out and embroider “that Stones sound” we all grew up on. And despite the Stones’ best efforts for much of the […]
REMEMBERING RONNIE LANE: A Small Face’s Large Legacy
Thinking of the late, great Ronnie Lane today on what would have been his 68th birthday. Lane, of course, was a singer-songwriter-bassist for both the Small Faces and later, when pint-sized frontman Steve Marriott left to start Humble Pie with Peter Frampton, the Faces. (When singer Rod Stewart and guitarist Ron Wood joined, the “small” designation in […]
The Faces From Mod To Rod To Nod: As Good As A Wink To A Blind-Drunk Horse
It’s hard to believe that four decades — 42 years ago this weekend to be exact — have passed since the boozy British blooze-rock band The Faces released what many (including me) consider to be the finest album of their relatively brief (1969-1975) career. “A Nod Is As Good As A Wink … To A Blind […]
RPM: Jonathan Perry's Life in Analog 