Category Features

Absolutely Pre-Fabulous! The Messiahs Trip Back To The Future in Bobb’s Psychedelic Car

Check out the brand spankin’ NEW Pre-Fab Messiahs video here (a fittingly surreal cartoon for these cartoonishly surreal times): https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DzAnUJ7MjnZ4&h=ATOPhol0JrD6O-uJnI9KreX528r34HTCMovCwE_-GcVYAUFPBRn7xXgvaKerRizt-v0mdtO9IpcmrpBMcoBDK6YhunvmPxF9lwpMcZwlRLIK8RxY17aevvExkg49PSzn3lW37R5oMoGulrB_G5sYB1w https://theprefabmessiahs.bandcamp.com/   Source: Absolutely Pre-Fabulous! The Messiahs Trip Back To The Future in Bobb’s Psychedelic Car

NOTES FROM THE MEMORY MOTEL: Half A Century of Stones in Two Days

To truly consider the Rolling Stones, it’s simply not adequate to ponder a clutch of hit singles or a few best-selling albums, or even an epochal moment or movement in music history. No, to properly contemplate the Stones is to throw a wide net across the stretching seas of the decades encompassing music, fashion, and culture that’s informed their existence (and vice versa). And bring your magnifying glass and microscope.

REGARDING THE END: Life, Death, and The Wondrous World of Robert Fisher’s Willard Grant Conspiracy

Robert Fisher’s Willard Grant Conspiracy conjure a mostly deserted world of long, lingering shadows where guys like Nick Cave and Mark Eitzel brood in a half-light that’s either salvation or damnation — a distinction that depends on whether you think being alone is solitude or isolation. A world where the songs thread through a musty room and gather there like settling smoke. Eventually, if you’re lucky, a cracked window swings open from the wind, bringing a new beam of sound and a fresh light with it to remind you that you’re alive.

FROM STARMAN TO STARDUST: The Singular Sound, Voice & Vision Of David Bowie (1947-2016)

Originally posted on RPM: Jonathan Perry's Life in Analog:
Reblogged on WordPress.com Source: FROM STARMAN TO STARDUST: The Singular Sound, Voice & Vision Of David Bowie (1947-2016)

TRUE BLUES: The Stones Get Back To The Bedrock

Ultimately, despite (or perhaps because of) being bashed-about and knocked-out off-the-cuff, “Blue & Lonesome” firmly and expansively situates itself in time and place. Like most good albums, it captures and distills a mood and a feeling, a frame of mind, a state of being, and it’s a welcome, if relatively brief (at 42 minutes), escape.

CRACKED CHANDLER’S CRAZY CARNIVAL: From Incredible Casuals to Casually Incredible (Try Saying That Three Times Fast!)

“I gave up the idea of thinking I would make any big time dough in the music business a long time ago, and started just loving the fact that I have an obsession,” says Chandler Travis. “I worry about people in life who don’t. I don’t know how you’d get through.”

A HIT OF SYMPHONIC BLOTTER ACID: Forever Changes But Love’s Masterpiece Endures

The “Summer of Love” it may have been, but much of the music on those iconic records of 1967 contained a far more complicated series of emotions and refracted a darker reality shot through with chaos and doubt, turmoil and altered perceptions. Unlike some of its contemporaries, the music on Love’s ‘Forever Changes’ – not to mention the mystique that continues to surround the work — seems only to have deepened with time.

DOUBLE THRILLER ON THE RHYME: The Glands’ Ross Shapiro, 1963-2016

The Glands were the perfect, enigmatic epitome of ‘indie-rock’ (whatever and however you conjure the term), and a woolly little ball of fuzzy contradictions. They were over-achieving, under-heard slackers from the coolly independent musical hotbed of Athens, Georgia, yet somehow, always seemed to stand apart from it. They were beloved and aloof. They made and released a […]

SINGING SONGS ABOUT THE SOUTHLAND: The Drive-By Truckers Raise A Ruckus

“All these years and lineup changes later, the song of DBT’s improbable start remains the same. But like all good yarns, it’s a story that bears retelling, because it’s about fate and fortune and famine, and a terrific rock & roll band whose defining moment almost didn’t happen.”

THERE IS A LIGHT THAT NEVER GOES OUT: Rick Berlin, Old Stag In Badville

“In Western culture, if you’re not making money for somebody else, you’re a flop. And I’ve never succeeded, I’ve never made any money doing this, ever. And yet, I’m so compelled to do it. I’m not at the level of Van Gogh, but I think about him.” — Rick Berlin

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