Tag Archives: STP 1972 U.S. Tour
To truly consider the Rolling Stones, it’s simply not adequate to ponder a clutch of hit singles or a few best-selling albums, or even an epochal moment or movement in music history. No, to properly contemplate the Stones is to throw a wide net across the stretching seas of the decades encompassing music, fashion, and culture that’s informed their existence (and vice versa). And bring your magnifying glass and microscope.
Official portraits and lineup cards of the band notwithstanding, both in the studio and on stage the Rolling Stones have always wisely employed, and relied upon, a small nucleus of collaborators, co-conspirators, and simpatico sidemen to help them flesh out and embroider “that Stones sound” we all grew up on. And despite the Stones’ best efforts for much of the […]
AMERICAN EXILES ON TOUR ’72: The Stones Roll On That Dusty Road In Wax Boots (And Digital Ones Too!)
LADIES & GENTLEMEN, A PREFACE TO THE INTRODUCTION: Call it kismet or the hand of fate or the rock gods grinning with glee at the chemical convergence of impulse, intent, and circumstance. But I just noticed that this review essay, which I intended to serve as a kind of Part II piggybacking follow-up to […]
Today marks the anniversary of one of the best (and more importantly, audio and visually documented) “in-between” Stones shows and tours during their prime: a March 26, 1971 concert at the small Marquee Club in London, the same venue where they got their start as a band some nine years earlier, when singer Mick Jagger and guitarist […]
January 17 is always a special day for us here in the surround-sound music den at “RPM: Life In Analog.” It allows us to officially celebrate what we pretty much celebrate every other day by marking the birthday of one of rock’s greatest, and yet most underrated guitarists, whose playing you’ve surely heard for a little group […]
Coinciding with the deluxe reissue a few years back of the Rolling Stones’ “Exile On Main St.”, I pitched a piece to The Boston Globe on what that blearily beautiful sprawling double album meant to me growing up amid corporate FM radio of the late 1970s and early ’80s, and how it (and the Stones) helped […]