Category Cult Records
NEW WAVES, OLD TRICKS, AND GETTING LUBED: A Rolling Stone Convo With GBV’s Bob Pollard
Happy 20th Anniversary to one of my best-loved albums of, well, the past twenty years: “Bee Thousand,” by the Dayton, Ohio indie-rock band Guided By Voices. Like my first mad crush, I remember hearing this 1994 cracked masterpiece soon after it was released on June 21, 1994, as if it were only yesterday. I had […]
VIOLET HOURS AND VANISHING DAYS: A Saturnine Stroll with the Clientele
As promised, here’s the second installment of my Clientele Memorial Day Weekend Special Edition of “RPM.” Wherein I catch up with Alasdair MacLean a few years after our first interview — this time to talk about his band’s sophomore album, “The Violet Hour,” as well as discuss the growing pains of learning how to play the […]
SEASONS IN THE (SORT OF) SUN: The Clientele Return To Rainy Days & Suburban Light
Some records stay with you. Aside from the memorable music that usually accompanies, well, a memorable album, chances are that you were probably either doing or feeling something special the first time you heard those sounds — falling in love, finishing your finals, strolling down the memory lane of your old childhood haunts, or road-tripping with your […]
TAILGATE BIRTHDAY SONGS: Wheat’s Raised Ranch Revolution Returns
“And suddenly after all this time, of waiting and wondering when and if they would return with their soft sparkle and gentle glamour intact, Wheat are back among us.” It is with much fuzzy-hearted happiness, optimism and okay, maybe even a dash of nostalgia, that I can report the following about one of my all-time favorite […]
RAW POWER REVISITED & THE FOREVER FUNHOUSE OF THE STOOGES: A Scott Asheton Salute (1949-2014)
The focal point, of course, was the perpetually shirtless, baboon-limbed lead singer Iggy Pop, born James Osterberg. When Pop bounded on stage for the opener “Loose,” one of a slew of songs on gaudy display from “Fun House” and the Stooges’ self-titled 1969 debut, the singer’s convulsive vitality — the spasmodic leaps, carnival of shrieks, caged-animal prowl (not to mention that freakish sinew-and-gristle physique) — was ridiculously unchanged.
LIFE AFTER DEATH (THEN & NOW): The Sad and Beautiful World of Sparklehorse
To mark the supremely sad occasion this week four years ago (March 6, 2010 to be exact) when we lost Sparklehorse’s Mark Linkous to suicide — he had battled depression and other serious health problems over the years leading up to his death — here’s the full-length “Director’s Cut” of a feature profile I wrote on […]
THE REMAINS OF THE DAY: A Look Back At America’s Great Lost Band
Nothing quite makes you appreciate the timelessness and immortality of great music as the mortality of its makers. Only yesterday I was saying how fantastic and fresh the Remains’ self-titled 1966 debut LP sounds even now, nearly 50 years after its release. The Boston band made only one record during its original run before calling it quits […]
TAYLOR MADE STONES: Happy Birthday To The Other Mick
January 17 is always a special day for us here in the surround-sound music den at “RPM: Life In Analog.” It allows us to officially celebrate what we pretty much celebrate every other day by marking the birthday of one of rock’s greatest, and yet most underrated guitarists, whose playing you’ve surely heard for a little group […]
CHRIS BELL’S PURE POP COSMOS: Big Star’s Other Bright Light
Speaking (as I so often do here) about great musicians and music, I’d like to take a moment to remember and honor Christopher Bell, the co-founding singer-songwriter of the seminal 1970s outfit Big Star. Although in the years since the band’s initial demise and subsequent discovery by new generations of listeners, much of the credit and attention […]
BEFORE TOMMY WAS BORN: The Who’s Sell Out From A Band That Never Did
Right up front, I would concede, in point of fact, that my headline for this post may be debatable given “The Who”‘s activities of the past decade or so. Following the substance-and-alcohol-related deaths of drummer Keith Moon in 1978, and more recently, bassist John Entwistle in 2002, the surviving twosome of guitarist and principal songwriter […]
RPM: Jonathan Perry's Life in Analog 