exhibitionism-011
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- Surrounded By …
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- Stones …
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- Through The Years
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- The stereo Victrola and LPs that adorned the flat
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- The Vox amp that got Bill the gig.
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- Charlie Watts’ Ludwig drum kit, 1965-1968
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- First recordings, 1963
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- Olympic Sound Studio tape box reels for some of the greatest rock and roll ever made
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- The clear Lucite bass guitar used by both Keith and Bill Wyman at Olympic Sound and beyond.
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- Midnight Rambler Mick’s Harmonicas, circa 1970.
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- “Some Girls” lyric notebooks
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- “Some Girls” in progress
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- Crotch Shots: The Poklaroids That Made The Legend
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- Oversized cover proofs for the “Exile On Main St.” double-LP cover, 1972.
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- Don’t Wanna Talk About Jesus: Robert Frank’s original collage for the inlay LP cover of ’72’s “Exile”
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- Mick jagger’s hand-written title for “Exile” dashed off in black marker, as per Robert Frank’s suggestion
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- “Rock Dreams” artist Guy Peellaert’s’s Cover proof mock-up for 1974’s “It’s Only Rock & Roll (But I Like It)”
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- ’75 Tour Of The Americas jet-eagle brainstorms from Mick and Charlie
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- Note regarding the design of the ’75 Tour Of The Americas’ logo and campaign
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- Andy Warhol Polaroids used in the design of 1977’s “Love You Live” double LP cover.
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- The vinyl Andy Warhol tablecloth that festooned the ‘Love You Live’ LP launch party.
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- “Some Girls” promo posters
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- Original cover moick-ups for the “Some Girls” album
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- Keith Richards’s personally owned copies of the original non-censored cover (featuring the faces of Lucill Ball, Farrah Fawcett-Majors, Raquel Welch, and Brigitte Bardot), and censored “under reconstruction” cover that replaced the original
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- John Pasche’s iconic designs for the 1970, ’71, and ’72 tour posters
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- 1967 psychedelic ad for “Their Satanic Majesties Request”
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- Proof sheet layout and mock-up for the first Stones greatest hits album (note the lower-case lettering, quite rare), 1966.
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- Proof sheet layout for the debut LP, 1964
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- Ultr-rare promotional ad image for “Beggars Banquet.” Why is Charlie missing an arm? Perhaps he is begging for it back?
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- Promotional advert for 1968’s “Beggars Banquet,” arguably the finest album they ever made.
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- We’ll always have Paris.
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- Neat print and penmanship!
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- Close-up of the IBC demo acetate recording
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- “Ladies and Gentlemen, The rolling Stones,” filmed on the 1972 tour, released in a limited engagement to theatres in 1974 and then inexplicably, rarely screened since (until finally being given the DVD treatment some 40 years later); long sought-after and considered by fans and collectors (myself included) to be the greatest recorded document of the band at its peak.
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- Biran’s hound’stooth jacket and slacks, 1963
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- Keith’s blue blazer and Charlie’s tartan suit, circa 1966-67
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- Far right: Mick’s striped suit that can be seen in a few ’73 press conference pics and magazine spreads while the Stones toured Europe in ’73; In the middle is the black and white checked suit Mick wore often during the ’69 tour and trip to America; it pops up in several Ethan Russell photos of the Stones staying at Stephen Stills’ house in Laurel Canyon in L.A. while preparing for the U.S. tour, as well as a dress rehearsal for the “Ed Sullivan Show” that fall (where they performed “Gimme Shelter” and “Love In Vain”)
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- Jagger’s Jumpin’ Jack Flash yellow embroidered blazer used in the alternate version (no warpaint/makeup etc.) promo for the single, backed by an assortment of Carnaby Street/Granny Takes A Trip Edwardian/Victorian wear from the mid-60s (you can spot these items in many 1966-68 photos of the band, and the band wore them onstage for concert appearances as well)
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- Close-up of Charlie’s T-shirt tank for ’72 and ’73
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- Two of Mick’s jumpsuits worn on the legendary 1972 U.S. tour “which I could still get into,” said Mick in an interview. “Very comfortable … But you have to be in shape to wear them. You can’t come out with a belly!”
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- Mick’s 1973 cotton jumpsuit with ventilators for the moving parts
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- Jagger’s ’81 jersey worn on the ’81 U.S. Tour
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- Mick’s 1975 stage costume
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- Ronnie Wood’s fur coat worn during the band’s 1975 tour announcement from a flatbed truck rolling down the heart of NYC.
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- Charlie’s vintage toy drum kit and Keith’s nearly-as-vintage tape recorder, both used in the recording of “Street Fighting Man.”
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- Sticky Fingers promotional poster, 1971
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- David Bailey portrait, 1973
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- Bug-Eyed Brian in the “Jumpin’ Jack Flash” video, 1968
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- Warpaint Mick and Keith in the “Jumpin’ Jack Flash” video, 1968 (screen captures)
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- Nellcote memories of recording “Exile On Main St.”
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- The Rolling Stones Mobile truck outer door, 1971
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- Nellcoate photographer Dominique Tarle’s reflections from the lens
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- Some fruits of the Mobile Studio labors
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- Sunset Sound session reels for “Exile” and a little ditty you may have heard of.
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- Mick’s headphones and handwritten lyrics to Some Girls’ “Faraway Eyes”
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- How They Spent Their Summer vacation abroad.
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- LP cover mock-up for 1965’s U.S. release of “Out Of Our Heads,” which gave the Stones their breakthrough smash (can you guess?) and made them world famous.
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- Does the question mark refer to the confusion whether this notebook contains lyrics to the songs for that album — or perhaps whether the album title is a keeper? Only The Glimmer Twins know for sure.
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- Brian’s Beauty: The gold top’s Gold Top.
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- The image that flashed on-screen at the moment I was photographing Brian’s guitar and thinking, ‘thanks for starting it, and living it,’ and making all this possible
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- Original poster of film stills from “Gimme Shelter”
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- A poster from the greatest Stones concert film ever made of the band on its ’72 tour (film released as a limited engagement in 1974 and then, inexcplicably, scarcely seen again until its eventual release some 40 years later on DVD
RPM: Jonathan Perry's Life in Analog 