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VIOLET HOURS AND VANISHING DAYS: A Saturnine Stroll with the Clientele
As promised, here’s the second installment of my Clientele Memorial Day Weekend Special Edition of “RPM.” Wherein I catch up with Alasdair MacLean a few years after our first interview — this time to talk about his band’s sophomore album, “The Violet Hour,” as well as discuss the growing pains of learning how to play the […]
SEASONS IN THE (SORT OF) SUN: The Clientele Return To Rainy Days & Suburban Light
Some records stay with you. Aside from the memorable music that usually accompanies, well, a memorable album, chances are that you were probably either doing or feeling something special the first time you heard those sounds — falling in love, finishing your finals, strolling down the memory lane of your old childhood haunts, or road-tripping with your […]
AMERICAN EXILES ON TOUR ’72: The Stones Roll On That Dusty Road In Wax Boots (And Digital Ones Too!)
LADIES & GENTLEMEN, A PREFACE TO THE INTRODUCTION: Call it kismet or the hand of fate or the rock gods grinning with glee at the chemical convergence of impulse, intent, and circumstance. But I just noticed that this review essay, which I intended to serve as a kind of Part II piggybacking follow-up to […]
THIN WILD MERCURY MUSIC: Down Under with Dylan in Sydney ’66
“Bob Dylan has long been a prime, occasionally infuriating example of a creator not necessarily equipped (or willing) to critique the scope or substance of his art. Although far more cagey, contrarian, and intentionally opaque, Dylan has proven similarly flip when talking about his music (or not talking about it, as the case may be) over the years.” — From “Thin Wild Mercury Music”
TAILGATE BIRTHDAY SONGS: Wheat’s Raised Ranch Revolution Returns
“And suddenly after all this time, of waiting and wondering when and if they would return with their soft sparkle and gentle glamour intact, Wheat are back among us.” It is with much fuzzy-hearted happiness, optimism and okay, maybe even a dash of nostalgia, that I can report the following about one of my all-time favorite […]
RAW POWER REVISITED & THE FOREVER FUNHOUSE OF THE STOOGES: A Scott Asheton Salute (1949-2014)
The focal point, of course, was the perpetually shirtless, baboon-limbed lead singer Iggy Pop, born James Osterberg. When Pop bounded on stage for the opener “Loose,” one of a slew of songs on gaudy display from “Fun House” and the Stooges’ self-titled 1969 debut, the singer’s convulsive vitality — the spasmodic leaps, carnival of shrieks, caged-animal prowl (not to mention that freakish sinew-and-gristle physique) — was ridiculously unchanged.
10,000 Hits Of Anything Has GOT To Be Good For You! (A Special Thank You Message To Subscribers)
Hello all of you lucky and loyal subscribers, My favorite words today are “ten thousand.” As in, 10,000 spins of a favorite record on the turntable. As in, Land of 10,000 Dances. If you do anything 10,000 times, it’s gotta be good, right? With that number and what it means in mind, today I’ve got 10,000 reasons […]
LIFE AFTER DEATH (THEN & NOW): The Sad and Beautiful World of Sparklehorse
To mark the supremely sad occasion this week four years ago (March 6, 2010 to be exact) when we lost Sparklehorse’s Mark Linkous to suicide — he had battled depression and other serious health problems over the years leading up to his death — here’s the full-length “Director’s Cut” of a feature profile I wrote on […]
THE REMAINS OF THE DAY: A Look Back At America’s Great Lost Band
Nothing quite makes you appreciate the timelessness and immortality of great music as the mortality of its makers. Only yesterday I was saying how fantastic and fresh the Remains’ self-titled 1966 debut LP sounds even now, nearly 50 years after its release. The Boston band made only one record during its original run before calling it quits […]
A SHALLOW SALUTE: Why The Beatles Were So Much Better Than This (And Dave Grohl)
It’s not that I was surprised, exactly. Disappointed and annoyed is more like it. I knew that a big, gaudy CBS/Grammy salute to the Beatles celebrating the 50th anniversary of the Fab Four’s triumphant U.S. debut on “The Ed Sullivan Show” (on CBS, of course) was bound to be a bit self-serving and showbiz-y. Still, I expected […]
RPM: Jonathan Perry's Life in Analog 